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Artist's Statement
Immediately after the events of September
11th, I began to wonder what the response from the arts community
would be and longed for the insight of fellow artists. With interest,
I read in the newspaper about a gathering of poets on Venice beach.
I knew the voices there would address the events in a way that would
include discussion of the complexities of the situation with a depth
that I had been missing from the mainstream media. That reading
in turn, inspired me to create two series, both related to global
themes.
It was comforting and illuminating for me to put into visual form
the concepts that had been running and ranting inside my head in
response to all that was going on around me. The process helped
me look at the string of reactions I was having even while attempting
not to be so affected.
The first series, called "The Peace Process," explores
a notion that kept surfacing for me: in the framework of international
conflicts and maneuverings you can see the same basic interpersonal
dynamics that might be found between two people in a disagreement
anywhere. The same issues of power, the same jockeying, and the
same path toward resolution. So here the goal was to use a visually
humorous, instructional style to express my possibly overly optimistic
view (but, hey, I’m standing by it!) that communication is the key
to ultimately generating a resolution between antagonistic political
groups.
With the second set, called "Connect the Dots" I've created
a series of interconnected panels to convey the link between recent
news events and underlying issues. I wanted to look specifically
at the theme of power in relation to our current potent combination
of international conglomerates, violence, and technology, and how
these forces influence our policy making. |