|
Check
out the Smithsonian's new Global
Sounds site!
We welcome submissions of short articles, essays, news items,
stories, and photos for publication in the Levantine
newsletter. Please send your queries to the editor.
|
|
Two Soulful Dance Performances From Middle
East Offer
Stunning Music and Visuals Next Weekend
Neshama:
Stories of the Soul, April 3, 3 pm
Los Angeles-based dance company Keshet Chaim Ensemble with special
guests from Israel presents a mosaic of music, dance and color when
Israeli singing sensation Noa Dori joins the ensemble in Neshama:
Stories of the Soul at the Thousand Oaks Civic Arts Plaza on
Sunday,
April 3. Neshama features choreography by Keshet Chaim artistic
director Eytan Avisar and guest choreographers Ilana Cohen and Tsion
Marciano of Israels Inbal Dance Theatre. Original music is
composed by Uri Ophir and Sharon Farber.
Neshama: Stories of the Soul celebrates the myths evoked by
the city of Jerusalem for thousands of years, embracing biblical
images as dramas of the soul. The full-length, multimedia performance
is inspired by personal, spiritual journeys and enriched by thousands
of years of Jewish legends, commentaries and religious texts. Through
movement, music, song, visuals and narration, the production sweeps
through the millennia, beginning before the creation of the universe
and ending in the present.
Neshama
is a dance-theater production that takes the audience on a journey,
explains Keshet Chaim executive director Genie Benson. The
story is acted out through dance movements that incorporate modern,
ballet and folk. Over 300 hand-painted silk costumes created by
Danish costume designer, Nili Glazer, help to transport the audience
into the time period.
Sunday, April 3, 2005 at 3 pm (Daylight Savings starts on April
3rd. set your clocks ahead).
Thousand Oaks Civic Arts Plaza, 2100 Thousand Oaks Blvd, Thousand
Oaks.
Tickets: $26 - $72 through the Keshet Chaim Ticket Line: 818.986.7332
or www.kcdancers.org or the
Thousand Oaks Civic Arts
Plaza box office: 805.449.ARTS or 805.449.2787 or www.
ticketmaster.com.
Whirling Dervishes of Turkey,
April 4, 8 pm
Global Cultural Connections brings one of the wonders of Turkey
to Los Angeles: "Whirling Dervishes of Rumi" perform one
of the most exquisite ceremonies of spirituality.
Audience
members who come to see the Whirling Dervishes will be eligible
to win a free Turkey trip for two. This is a rare opportunity to
experience a mesmerizing seven-century old
ritual, incredible performance featuring beautiful costumes, hypnotic
live music with flutes, string and percussion, and the amazing sight
of the Dervishes whirling on the stage.
Tickets are: 20$-Student, 25-35-45. Discounts of -10% for groups
of at least 10. (If you decide to see this show with your groups,
please contact to group ticket discounts at 213.
792-0378 or grouptickets@gccfoundation.com.)
Tickets at UCLA
Ticket Office
or call 310. 825.2101 or
Ticket Master or call 213.365-3500
The Whirling Dervishes ritual unites the three fundamental components
of human nature:
the mind (as knowledge and thought), the heart (through the expression
of feelings, poetry and music), and the body (by activating life,
by turning). These three elements are thoroughly joined both in
theory and in practice and as perhaps in no other ritual or system
of thought. Experiencing the Whirling Dervishes is like being transported
on a magic carpet ride, with the exotic music creating a sense of
inner rapture.
For more information about Sufism and whirling dervishes, please
visit Global Cultural Connections
at or email them.
Whirling Dervishes of Rumi, Royce Hall, UCLA, Monday, April 4, 8:00
pm. Parking $7 in lot 5 (enter from Sunset Blvd. just west of Hilgard). |
|
Through
April 2"The Fire Next Time" Opening Reception/Exhibit
of Kamran Moojedi's Recent Work at Sharq Gallery
Nahid
Massoud and Robert Rosenstone invite you to attend an art exhibition
featuring the recent works of Kamran Moojedi, "The Fire Next
Time, mixing pigments and pixels.
"The Fire Next Time," (with homage to James Baldwin) Kamran
Moojedis mixed media works of sketches, digital paintings,
and photography intends to be a powerful investigation of death
and rebirth in nature and in culture. Before this recent series,
and for over twenty years, Moojedi has been engaged in a collaboration
with his computer, plotter, mouse and stylus to create what are
some of the most extraordinary digital images of our age. In his
memorable series of portraits of Andy Warhol, what began with curved
lines changed to straight lines and ended up as numbers that made
up the image of Warhol. Moojedi subsequently created stunning images
of such cultural icons as Stephen Hawking, Woody Allen, and Nelson
Mandela.
"The Fire Next Time" consists of more personal works,
motivated by the great San Bernardino Mountains fire of 2003, which
came close to destroying Moojedis studio. As he explains,
these new pieces are not meant as an illustration of the fire and
what it left behind, but rather, they focus on archetypal elements
that took him back to ancient Persian mythology and ritual. The
works are a meditation on the concept of duality in Persian culture,
first taught by Zoroaster, using it as a way to come to grips with
the contradictions in his own life.
Born in Tehran, Moojedi left to attend art school in Turin, Italy,
then went on to Art Center College of Design in Pasadena, where
he received his Master of Fine Arts degree and remained to teach
for six years. Following that, he worked for seven years as a multi-media
designer and art director at NASAs Jet Propulsion Lab. The
1979 revolution left Moojedi stranded in the United States. He compares
the Islamic revolution to a wildfire, flaming out of control, burning
equally the guilty and the innocent, the past and future. Like fire,
revolution can be considered destructive and evil or as a purifying
and cleansing agent. The trauma of the San Bernardino fire and it's
aftermath made Moojedi face a series of unpredictable changes in
his life including seeking a closure with his past. For the first
time, he went back to his homeland and spent four months in Iran.
"Seeing Tehran after 25 years, I experienced strong emotional
surges of highs and lows. One moment I was filled with excitement,
the next with despair. It felt much like the first time I saw the
burnt forest. This place had no resemblance to the home I remembered.
I was lost.
The way of finding himself again was through the process of creation.
After Moojedis return to California, the twin experiences
of the fire and of his homeland came together in his new works:
As I began reworking the Fire series from the alien landscape,
bringing together elements from within and without, mixing pigments
and pixels, something familiar started emerging in the artwork,
which was generic and not limited to this particular tragedy. It
was not a representation of time and space in a two-dimensional
format; rather, it was an expression of emotional and psychological
interactions with those realities."
The resulting works in his superb new series, "The Fire Next
Time" contain some of the most compelling and insightful images
being created today in any medium.
Exhibition runs through April 2, by appointment SHARQ, 537 Arbramar
Ave, Pacific Palisades, CA 90272. RSVP. 310.454.6826. Email
rsvps. Directions:
Sunset Blvd one block west of Temescal Canyon; turn left on El Medio,
go four blocks; turn right on Miami Way; turn left at first corner,
Arbramar 537 is fourth house on the right; SHARQ is located down
the driveway at the back of the property.
|
Al
Jadid, a Review of Arab Culture & Arts: A regular update on newly
posted content on www.aljadid.com, online-only articles:
Louis Awad's Secular Tradition; Samir Nakash's Love of Arab Culture; Rethinking
Edward Said's Orientalism'; Arab
Satellite TV Funding all Examined in Al Jadid no. 48 by Beige
Luciano-Adams. A new issue of Al Jadid is out (Vol. 10, no. 48). As usual
it covers a wide range of topics and subjects in the field of Arab and
Mideast culture, arts, and literature.
World
Music Releases Blend Folk Classics and Innovation By Judith Gabriel
An Armenian colleague brought a CD to work one day, and played it during
some down time. At first, it was elevator music, so low in volume it was
barely perceptible. But I loved what I heard, and asked it be turned up
A
Year After Sunset: Remembering Amina Rizk by Miranda Bechara. A year
ago, the famous Egyptian actress Amina Rizk died at the age of 93 after
a rich artistic life. Born in 1910, Rizk started her career at an early
age when she moved to Cairo from Tanta with her mother, grandmother, and
aunt after the death of her father.
The
Perennial Refugees: Steadfastness in a World of Forgetfulness by Doris
Bittar
Amin
Maalouf Talks about his latest book Origins by Carole
Corm. Never has Amin Maalouf revealed himself as much as in his latest
novel, Origins, recently released in France but not yet translated
into English.
Remembering
Zaki Nasif: A Lebanese Musical Odyssey by Sami Asmar The death of
Lebanese composer and singer Zaki Nasif in Beirut last March marked the
end of a significant era in Lebanese musical heritage.
Poets
Charge Fadwa Tuqan Slighted in Arab-French Poetry Festival by Sara
Hahn That wealthy and powerful individuals are treated differently than
ordinary people, never mind their literary talents, is a longstanding
practice and policy.
The
Paradox of Religious Democracy by Faisal Tbeileh. Azmi Bishara, the
Israeli-Palestinian political philosopher, wrote recently that states
create nations; nations don't create states. Nations are created in the
imagination of their builders.
Mapping the Syrian Consciousness by Bhakti Shringarpure. Muhammad
Kamil al-Khatib's prose could belong to a parable, which is perhaps why
a small novel makes for fast, engaging reading.
Arabic, English and Context in the Narratives of Arab Women by Lynne
Rogers. In Reading Arab Women's Autobiographies, Shahrazad Tells
Her Story, Nawar al-Hassan Golley brings history, contemporary literary
theory and a culturally informed perspective to twentieth century Middle
Eastern autobiography.
For subscriptions and more information, please visit the Al
Jadid website, or call 310.470-6984. Send correspondence to Al Jadid
Magazine, P.O. Box 241342, Los Angeles, CA 90024-1342, U.S.A. Annual individual
(four issues) subscription for individuals is $18; annual institutional
is $40.00; Canadian subscribers, add $8 to the annual subscription rates;
all other overseas subscribers, add $16.00.
Back
to Top
|

|
News
From Levantine Cultural Center
The Levantine crew (that's us, with your help!) will be starting
a great new season in April, to include monthly salons, concerts,
art exhibits and major shows, among them "Alchemy of Dreams"
in September at the John Anson Ford Amphitheatre. "Alchemy
of Dreams" will be a special feature of the third edition of
the World Festival of Sacred Music, and features two great groups,
Suzanne Teng's Mystic Journey
with guest artist Prince
Diabaté, and the phenomenal Naser
Musa and Adam del Monte
Ensemble doing new Arab-flamenco world beat. Both acts will include
dance performances, the latter with the fiery Laila del Monte.
The great news is that we are in line to recieve a major grant!
Yes, guys: after working hard for more than three years on a strictly
volunteer basisbringing you more than 250 programsLevantine
Cultural Center may soon have a chance to really shine, with funding
from the County of Los Angeles. We have already twice been awarded
these opportunties by the Los Angeles Arts Commission, in both 2004
and 2005, as a featured organization in the special Ford Amphitheatre
Summer Series.
However,
we now have the opportunity to stretch our wings and grow, with
a county arts grant. Now is the time for each of you to show your
support by taking out membership in Levantine Cultural Center. Why?
The more active members we have, the more we can justify the receipt
of city, county, state and federal support for Middle Eastern cultural
arts programming. Active membership show funders that we continue
to grow; that we are relevant; that we serve a determined audienceyou!
So whether you can join us at the regular $120 a year level (that's
just $10 per month) or at the $60 level (just $5 per month), we
ask you to click here, go to our Membership
page, and sign up through PayPal today. And please tell your friends!
The more the merrier. We know how to stretch a dollar; our overhead
is kept extremely low, and we really use our imagination to make
the most of what's financially available. So your membership dollars
will go further than ever in 2005, particularly with the receipt
of the county grant.
Do you have any questions? Please call us at 310.559.5544!
And thank you, shukran, toda, merci.
To book Middle Eastern musical ensembles, comics or dancers,
contact Jordan Elgrably, 310.559.5544.
|
|
About
Us
For more information about Levantine Cultural Center, please
visit our web site. And by the way: If you're available to volunteer,
we're always looking for stalwart supporters: call 310.559.5544. |
Previous
Newsletters
Check
out the new
Palestinian Calendar
|