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Check
out the Smithsonian's new Global
Sounds site!
We welcome submissions of short articles, essays, news items,
stories, and photos for publication in the Levantine
newsletter. Please send your queries to the editor.
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Correction: the Levantine newsletter of March 29 stated erroneously
that Al Jadid was a cosponsor of the newsletter. Al Jadid is an
independent publication and there was no exchange between it and
LCC.
New Offerings For April
Audience
members who come to see the Whirling Dervishes will be eligible
to win a free Turkey trip for two. This is a rare opportunity
to experience a mesmerizing seven-century old
ritual, incredible performance featuring beautiful costumes, hypnotic
live music with flutes, string and percussion, and the amazing
sight of the Dervishes whirling on the stage.
Tickets are: 20$-Student, 25-35-45. Discounts of -10% for groups
of at least 10. (If you decide to see this show with your groups,
please contact to group ticket discounts at 213.
792-0378 or grouptickets@gccfoundation.com.)
Tickets at UCLA
Ticket Office
or call 310. 825.2101 or
Ticket Master or call 213.365-3500
The Whirling Dervishes ritual unites the three fundamental components
of human nature:
the mind (as knowledge and thought), the heart (through the expression
of feelings, poetry and music), and the body (by activating life,
by turning). These three elements are thoroughly joined both in
theory and in practice and as perhaps in no other ritual or system
of thought. Experiencing the Whirling Dervishes is like being
transported on a magic carpet ride, with the exotic music creating
a sense of inner rapture.
For more information about Sufism and whirling dervishes, please
visit Global Cultural Connections
at or email them.
Whirling Dervishes of Rumi, Royce Hall, UCLA, Monday, April 4,
8:00 pm. Parking $7 in lot 5 (enter from Sunset Blvd. just west
of Hilgard).

April
11 (Mon), 4 pmElla Shohat discusses & screens "Forget
Baghdad," a documentary about Arab-Jewish cultural relations,
postcolonial displacement, exile & belonging.
Forget Baghdad
is a must-see documentary, reflecting upon the clichés
of the Jew and the Arab in the last hundred
years of cinema, combined with the biographies of some extraordinary
individuals: Iraqi-Jewish communists.
Son of the Sheikh Jud Süss Exodus
True Lies. Silent film star Valentino as the noble
Bedouin. The image of the greedy Jew serving the Nazi
cause. Paul Newman as the blue-eyed Jewish freedom fighter in
Palestine. The dark-skinned, hook-nosed, hysterically shrieking
Arab terrorist who gets annihilated by Schwarzenegger
A
muddled composite of cineastic memories!
Jewish
Arabs? Arab Jews? Sephardim? Mizrahim? Over the past few years,
there has been a lively debate in Israel, mainly among intellectual
Mizrahim (Middle Eastern Jews). Their criticism is
directed at the politics of alienation and the ways in which Arab
Jews have been used against Palestinian Arabs, stemming from the
colonial pretensions asserted by Israels European-influenced
founding generation. See
"Forget Baghdad" web site.
King Hall D140, Cal State Univ., 5151 State U. Dr, LA. Info,
323.343-5001 or visit
Cal State L.A. web site.

April
22 (Fri), 12 noonAuthor Asne Seierstad reads from A Hundred
and One Days on Iraq
In January 2003 Asne Seierstad entered Baghdad on a ten-day visa.
She was to stay for over three months, reporting on the war and
its aftermath. A Hundred and One Days is her compelling account
of a city under siege, and a fascinating insight into the life
of a foreign correspondent. An award-winning writer, Seierstad
brilliantly details the frustrations and dangers journalists faced
trying to uncover the truth behind the all-pervasive propaganda.
She also offers a unique portrait of Baghdad and its people, trying
to go about their daily business under the constant threat of
attack. Seierstads passionate and erudite book conveys both
the drama and the tragedy of her one hundred and one days in a
city at war.
Vromans Books, 695 E Colorado Blvd, Pasadena.

April
28 (Thurs), 7:30 pmScreening of Iranian directors
Ramin Serrys Maryam at Caltech
Maryam (2000) memorably tells the story of a woman
growing up Iranian-American as the 1979 revolution hits and politics
invades her ordinary American life. Written and directed by: Ramin
Serry. Cast: Mariam Parris, David Ackert, Shaun Toub, Shoreh Aghdashloo,
Maziyar Jobrani, Sabine Singh, Victor Jory.
Cinematography: Harlan Bosmajian. In English and Persian with
English subtitles.
For his debut feature, Maryam filmmaker Ramin Serry turned to
a period of history that he knew well the 1979 Iran hostage
crisis. Though he was only 10 at the time, in the coming years,
Serry, an Iranian-American, felt the sting of prejudice that arose
from that event. With Maryam, Serry turns that early pain into
art and fine drama.
Maryam
Armin (Mariam Parris) is a New Jersey teenager whose biggest problem
is her too-strict father (Shaun Toub). An Iranian immigrant, she
doesn't feel much of a connection to her homeland or the revolution
taking place there. But then her Islamic fundamentalist cousin
Ali (David Ackert) moves in, and shortly after that, the hostages
are captured in Iran. Maryam's native country becomes suddenly
a central fact in her life as Ali struggles to find his place
in the revolution and a new bigotry grips the Armins' suburban
community.
Maryam offers both a heartfelt coming-of-age drama
and a thought-provoking look at the corrosive effects of American-style
prejudice a subject that, unfortunately, remains timely.
After making the rounds of film festivals, where Serry picked
up an early champion in critic Roger Ebert, Maryamwent
on to garner considerable acclaim. Screens at Baxter Hall, Caltech,
332 S Michigan Ave, Pasadena. Info, 888.2CALTECH.
May
6 (Fri), 7:30 pmPoets Nathalie Handal & Sholeh Wolpé
Read From New Works
Palestinian
American Nathalie Handal and Iranian American Sholeh Wolpé
are two of the most dynamic young women poets who are not from
the United States, yet are part of a vibrant and growing Mideast
literature in the diaspora represented by American contemporary
literature. On Friday evening, May 6, 8 pm, they will both read
from their new books, The Lives of Rain (Interlink 2004)
and The Scar Saloon (Red Hen Press 2004), at Beyond Baroque
Literary/Arts Center, in a special appearance organized by Levantine
Cultural Center.
Nathalie Handal is
a poet, playwright and writer who has lived in Europe, the United
States, the Caribbean, Latin America and the Middle East. She
finished her MFA at Bennington College and her post-graduate degree
at the University of London. Her work has appeared in numerous
magazines, literary journals and anthologies worldwide, and she
has been featured on NPR, KPFK, and PBS Radio. She has directed
and is the author of numerous plays; and of Traveling Rooms
(Poetry CD), The NeverField (poetry book), and The Lives
of Rain, a collection shortlisted for The Agnes Lynch Starrett
Poetry/The Pitt Poetry Series. Handal is the editor of The
Poetry of Arab Women: A Contemporary Anthology, an Academy
of American Poets bestseller and winner of the Pen Oakland/Josephine
Miles award. Handal is presently editing two anthologies, Dominican
Literature and Arab-American and Arab Diaspora Literature
(Fall 2005); and co-editing along with Tina Chang and Ravi Shankar,
Risen from East: An Anthology of South Asian, East Asian and
Middle Eastern Poets. She is Poetry Books Review Editor for
Sable (UK) and Associate Artist and Development Executive for
the production company, The Kazbah Project. She teaches at Columbia
University.
Poet and translator Sholeh
Wolpé was born in Iran but spent most of her teen years
in the Caribbean and Europe, ending up in the U.S. where she studied
Radio-TV-Film at George Washington University in Washington DC.
She then obtained an MA in the same field from Northwestern University
and later, an MHS in Public Health from Johns Hopkins University.
In 1984 she moved to California where she produced documentaries
for the health field. She later founded her medical business company,
ZyQuest, which she still owns and operates. She has served on
many boards of directors including the Redlands Bowl, Bonnes Meres,
Tebot Bach and the Performance Loft. She has widely traveled through
Europe, the Middle East and Asia, and speaks several languages.
Sholeh Wolpé is the director and host of Poetry at the
Loft, a successful poetry venue in Redlands. She divides her time
between Redlands and Newport Beach.
Founded in 2001, Levantine Cultural Center explores contemporary
Mediterranean/Middle Eastern arts and cultures, and often collaborates
with Beyond Baroque on the literary arts. Nathalie Handal and
Sholeh Wolpé, Friday, May 6, at 8 pm, Beyond Baroque Literary/Arts
Center, 681 Venice Blvd., Venice 90291. Tickets $10, $8. Seating
limited, reserved early. Call 310.559.5544 or 310.822.3006, or
get tix online at www.levantinecenter.org. Two shows, one at 8
pm, one at 9:30 pm.
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Through
April 30"The Fire Next Time" Opening Reception/Exhibit
of Kamran Moojedi's Recent Work at Sharq Gallery
Nahid
Massoud and Robert Rosenstone invite you to attend an art exhibition
featuring the recent works of Kamran Moojedi, "The Fire Next
Time, mixing pigments and pixels.
"The Fire Next Time," (with homage to James Baldwin) Kamran
Moojedis mixed media works of sketches, digital paintings,
and photography intends to be a powerful investigation of death
and rebirth in nature and in culture. Before this recent series,
and for over twenty years, Moojedi has been engaged in a collaboration
with his computer, plotter, mouse and stylus to create what are
some of the most extraordinary digital images of our age. In his
memorable series of portraits of Andy Warhol, what began with curved
lines changed to straight lines and ended up as numbers that made
up the image of Warhol. Moojedi subsequently created stunning images
of such cultural icons as Stephen Hawking, Woody Allen, and Nelson
Mandela.
"The Fire Next Time" consists of more personal works,
motivated by the great San Bernardino Mountains fire of 2003, which
came close to destroying Moojedis studio. As he explains,
these new pieces are not meant as an illustration of the fire and
what it left behind, but rather, they focus on archetypal elements
that took him back to ancient Persian mythology and ritual. The
works are a meditation on the concept of duality in Persian culture,
first taught by Zoroaster, using it as a way to come to grips with
the contradictions in his own life.
Born in Tehran, Moojedi left to attend art school in Turin, Italy,
then went on to Art Center College of Design in Pasadena, where
he received his Master of Fine Arts degree and remained to teach
for six years. Following that, he worked for seven years as a multi-media
designer and art director at NASAs Jet Propulsion Lab. The
1979 revolution left Moojedi stranded in the United States. He compares
the Islamic revolution to a wildfire, flaming out of control, burning
equally the guilty and the innocent, the past and future. Like fire,
revolution can be considered destructive and evil or as a purifying
and cleansing agent. The trauma of the San Bernardino fire and it's
aftermath made Moojedi face a series of unpredictable changes in
his life including seeking a closure with his past. For the first
time, he went back to his homeland and spent four months in Iran.
"Seeing Tehran after 25 years, I experienced strong emotional
surges of highs and lows. One moment I was filled with excitement,
the next with despair. It felt much like the first time I saw the
burnt forest. This place had no resemblance to the home I remembered.
I was lost.
The way of finding himself again was through the process of creation.
After Moojedis return to California, the twin experiences
of the fire and of his homeland came together in his new works:
As I began reworking the Fire series from the alien landscape,
bringing together elements from within and without, mixing pigments
and pixels, something familiar started emerging in the artwork,
which was generic and not limited to this particular tragedy. It
was not a representation of time and space in a two-dimensional
format; rather, it was an expression of emotional and psychological
interactions with those realities."
The resulting works in his superb new series, "The Fire Next
Time" contain some of the most compelling and insightful images
being created today in any medium.
Exhibition runs through April 2, by appointment SHARQ, 537 Arbramar
Ave, Pacific Palisades, CA 90272. RSVP. 310.454.6826. Email
rsvps. Directions:
Sunset Blvd one block west of Temescal Canyon; turn left on El Medio,
go four blocks; turn right on Miami Way; turn left at first corner,
Arbramar 537 is fourth house on the right; SHARQ is located down
the driveway at the back of the property.
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Al
Jadid, a Review of Arab Culture & Arts: A regular update on newly
posted content on www.aljadid.com, online-only articles:
Louis Awad's Secular Tradition; Samir Nakash's Love of Arab Culture; Rethinking
Edward Said's Orientalism'; Arab
Satellite TV Funding all Examined in Al Jadid no. 48 by Beige
Luciano-Adams. A new issue of Al Jadid is out (Vol. 10, no. 48). As usual
it covers a wide range of topics and subjects in the field of Arab and
Mideast culture, arts, and literature.
World
Music Releases Blend Folk Classics and Innovation By Judith Gabriel
An Armenian colleague brought a CD to work one day, and played it during
some down time. At first, it was elevator music, so low in volume it was
barely perceptible. But I loved what I heard, and asked it be turned up
A
Year After Sunset: Remembering Amina Rizk by Miranda Bechara. A year
ago, the famous Egyptian actress Amina Rizk died at the age of 93 after
a rich artistic life. Born in 1910, Rizk started her career at an early
age when she moved to Cairo from Tanta with her mother, grandmother, and
aunt after the death of her father.
The
Perennial Refugees: Steadfastness in a World of Forgetfulness by Doris
Bittar
Amin
Maalouf Talks about his latest book Origins by Carole
Corm. Never has Amin Maalouf revealed himself as much as in his latest
novel, Origins, recently released in France but not yet translated
into English.
Remembering
Zaki Nasif: A Lebanese Musical Odyssey by Sami Asmar The death of
Lebanese composer and singer Zaki Nasif in Beirut last March marked the
end of a significant era in Lebanese musical heritage.
Poets
Charge Fadwa Tuqan Slighted in Arab-French Poetry Festival by Sara
Hahn That wealthy and powerful individuals are treated differently than
ordinary people, never mind their literary talents, is a longstanding
practice and policy.
The
Paradox of Religious Democracy by Faisal Tbeileh. Azmi Bishara, the
Israeli-Palestinian political philosopher, wrote recently that states
create nations; nations don't create states. Nations are created in the
imagination of their builders.
Mapping the Syrian Consciousness by Bhakti Shringarpure. Muhammad
Kamil al-Khatib's prose could belong to a parable, which is perhaps why
a small novel makes for fast, engaging reading.
Arabic, English and Context in the Narratives of Arab Women by Lynne
Rogers. In Reading Arab Women's Autobiographies, Shahrazad Tells
Her Story, Nawar al-Hassan Golley brings history, contemporary literary
theory and a culturally informed perspective to twentieth century Middle
Eastern autobiography.
For subscriptions and more information, please visit the Al
Jadid website, or call 310.470-6984. Send correspondence to Al Jadid
Magazine, P.O. Box 241342, Los Angeles, CA 90024-1342, U.S.A. Annual individual
(four issues) subscription for individuals is $18; annual institutional
is $40.00; Canadian subscribers, add $8 to the annual subscription rates;
all other overseas subscribers, add $16.00.
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