Levantine Cultural Center Newsletter • April 3, 2005 • levantinecenter.org • 310.559.5544 • Join Now

Check out the Smithsonian's new Global Sounds site! 

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Correction: the Levantine newsletter of March 29 stated erroneously that Al Jadid was a cosponsor of the newsletter. Al Jadid is an independent publication and there was no exchange between it and LCC.

New Offerings For April


Audience members who come to see the Whirling Dervishes will be eligible to win a free Turkey trip for two. This is a rare opportunity to experience a mesmerizing seven-century old
ritual, incredible performance featuring beautiful costumes, hypnotic live music with flutes, string and percussion, and the amazing sight of the Dervishes whirling on the stage.
Tickets are: 20$-Student, 25-35-45. Discounts of -10% for groups of at least 10. (If you decide to see this show with your groups, please contact to group ticket discounts at 213.
792-0378 or grouptickets@gccfoundation.com.)

Tickets at UCLA Ticket Office
or call 310. 825.2101 or
Ticket Master
or call 213.365-3500

The Whirling Dervishes ritual unites the three fundamental components of human nature:
the mind (as knowledge and thought), the heart (through the expression of feelings, poetry and music), and the body (by activating life, by turning). These three elements are thoroughly joined both in theory and in practice and as perhaps in no other ritual or system of thought. Experiencing the Whirling Dervishes is like being transported on a magic carpet ride, with the exotic music creating a sense of inner rapture.

For more information about Sufism and whirling dervishes, please visit Global Cultural Connections at or email them.

Whirling Dervishes of Rumi, Royce Hall, UCLA, Monday, April 4, 8:00 pm. Parking $7 in lot 5 (enter from Sunset Blvd. just west of Hilgard).


Samir NaqqashApril 11 (Mon), 4 pm—Ella Shohat discusses & screens "Forget Baghdad," a documentary about Arab-Jewish cultural relations, postcolonial displacement, exile & belonging.

“Forget Baghdad” is a must-see documentary, reflecting upon the clichés of “the Jew” and “the Arab” in the last hundred years of cinema, combined with the biographies of some extraordinary individuals: Iraqi-Jewish communists.

“Son of the Sheikh” “Jud Süss” “Exodus” “True Lies”. Silent film star Valentino as the noble Bedouin. The image of the “greedy Jew” serving the Nazi cause. Paul Newman as the blue-eyed Jewish freedom fighter in Palestine. The dark-skinned, hook-nosed, hysterically shrieking Arab terrorist who gets annihilated by Schwarzenegger… A muddled composite of cineastic memories!

Jewish Arabs? Arab Jews? Sephardim? Mizrahim? Over the past few years, there has been a lively debate in Israel, mainly among intellectual “Mizrahim” (Middle Eastern Jews). Their criticism is directed at the politics of alienation and the ways in which Arab Jews have been used against Palestinian Arabs, stemming from the colonial pretensions asserted by Israel’s European-influenced founding generation. See "Forget Baghdad" web site.
King Hall D140, Cal State Univ., 5151 State U. Dr, LA. Info, 323.343-5001 or visit Cal State L.A. web site.


101 DaysApril 22 (Fri), 12 noon—Author Asne Seierstad reads from A Hundred and One Days on Iraq

In January 2003 Asne Seierstad entered Baghdad on a ten-day visa. She was to stay for over three months, reporting on the war and its aftermath. A Hundred and One Days is her compelling account of a city under siege, and a fascinating insight into the life of a foreign correspondent. An award-winning writer, Seierstad brilliantly details the frustrations and dangers journalists faced trying to uncover the truth behind the all-pervasive propaganda. She also offers a unique portrait of Baghdad and its people, trying to go about their daily business under the constant threat of attack. Seierstad’s passionate and erudite book conveys both the drama and the tragedy of her one hundred and one days in a city at war.
Vroman’s Books, 695 E Colorado Blvd, Pasadena.


April 28 (Thurs), 7:30 pm—Screening of Iranian director’s Ramin Serry’s “Maryam” at Caltech


“Maryam” (2000) memorably tells the story of a woman growing up Iranian-American as the 1979 revolution hits and politics invades her ordinary American life. Written and directed by: Ramin Serry. Cast: Mariam Parris, David Ackert, Shaun Toub, Shoreh Aghdashloo, Maziyar Jobrani, Sabine Singh, Victor Jory.

Cinematography: Harlan Bosmajian. In English and Persian with English subtitles.
For his debut feature, Maryam filmmaker Ramin Serry turned to a period of history that he knew well — the 1979 Iran hostage crisis. Though he was only 10 at the time, in the coming years, Serry, an Iranian-American, felt the sting of prejudice that arose from that event. With Maryam, Serry turns that early pain into art and fine drama.

Maryam Armin (Mariam Parris) is a New Jersey teenager whose biggest problem is her too-strict father (Shaun Toub). An Iranian immigrant, she doesn't feel much of a connection to her homeland or the revolution taking place there. But then her Islamic fundamentalist cousin Ali (David Ackert) moves in, and shortly after that, the hostages are captured in Iran. Maryam's native country becomes suddenly a central fact in her life as Ali struggles to find his place in the revolution and a new bigotry grips the Armins' suburban community.
“Maryam” offers both a heartfelt coming-of-age drama and a thought-provoking look at the corrosive effects of American-style prejudice — a subject that, unfortunately, remains timely. After making the rounds of film festivals, where Serry picked up an early champion in critic Roger Ebert, “Maryam”went on to garner considerable acclaim. Screens at Baxter Hall, Caltech, 332 S Michigan Ave, Pasadena. Info, 888.2CALTECH.


May 6 (Fri), 7:30 pm—Poets Nathalie Handal & Sholeh Wolpé Read From New Works

Palestinian American Nathalie Handal and Iranian American Sholeh Wolpé are two of the most dynamic young women poets who are not from the United States, yet are part of a vibrant and growing Mideast literature in the diaspora represented by American contemporary literature. On Friday evening, May 6, 8 pm, they will both read from their new books, The Lives of Rain (Interlink 2004) and The Scar Saloon (Red Hen Press 2004), at Beyond Baroque Literary/Arts Center, in a special appearance organized by Levantine Cultural Center.

Nathalie Handal is a poet, playwright and writer who has lived in Europe, the United States, the Caribbean, Latin America and the Middle East. She finished her MFA at Bennington College and her post-graduate degree at the University of London. Her work has appeared in numerous magazines, literary journals and anthologies worldwide, and she has been featured on NPR, KPFK, and PBS Radio. She has directed and is the author of numerous plays; and of Traveling Rooms (Poetry CD), The NeverField (poetry book), and The Lives of Rain, a collection shortlisted for The Agnes Lynch Starrett Poetry/The Pitt Poetry Series. Handal is the editor of The Poetry of Arab Women: A Contemporary Anthology, an Academy of American Poets bestseller and winner of the Pen Oakland/Josephine Miles award. Handal is presently editing two anthologies, Dominican Literature and Arab-American and Arab Diaspora Literature (Fall 2005); and co-editing along with Tina Chang and Ravi Shankar, Risen from East: An Anthology of South Asian, East Asian and Middle Eastern Poets. She is Poetry Books Review Editor for Sable (UK) and Associate Artist and Development Executive for the production company, The Kazbah Project. She teaches at Columbia University.

Poet and translator Sholeh Wolpé was born in Iran but spent most of her teen years in the Caribbean and Europe, ending up in the U.S. where she studied Radio-TV-Film at George Washington University in Washington DC. She then obtained an MA in the same field from Northwestern University and later, an MHS in Public Health from Johns Hopkins University. In 1984 she moved to California where she produced documentaries for the health field. She later founded her medical business company, ZyQuest, which she still owns and operates. She has served on many boards of directors including the Redlands Bowl, Bonnes Meres, Tebot Bach and the Performance Loft. She has widely traveled through Europe, the Middle East and Asia, and speaks several languages. Sholeh Wolpé is the director and host of Poetry at the Loft, a successful poetry venue in Redlands. She divides her time between Redlands and Newport Beach.

Founded in 2001, Levantine Cultural Center explores contemporary Mediterranean/Middle Eastern arts and cultures, and often collaborates with Beyond Baroque on the literary arts. Nathalie Handal and Sholeh Wolpé, Friday, May 6, at 8 pm, Beyond Baroque Literary/Arts Center, 681 Venice Blvd., Venice 90291. Tickets $10, $8. Seating limited, reserved early. Call 310.559.5544 or 310.822.3006, or get tix online at www.levantinecenter.org. Two shows, one at 8 pm, one at 9:30 pm.


Tix for 8 pm show
Tix for 9:30 pm show


Through April 30—"The Fire Next Time" Opening Reception/Exhibit of Kamran Moojedi's Recent Work at Sharq Gallery

Nahid Massoud and Robert Rosenstone invite you to attend an art exhibition featuring the recent works of Kamran Moojedi, "The Fire Next Time,” mixing pigments and pixels.

"The Fire Next Time," (with homage to James Baldwin) Kamran Moojedi’s mixed media works of sketches, digital paintings, and photography intends to be a powerful investigation of death and rebirth in nature and in culture. Before this recent series, and for over twenty years, Moojedi has been engaged in a collaboration with his computer, plotter, mouse and stylus to create what are some of the most extraordinary digital images of our age. In his memorable series of portraits of Andy Warhol, what began with curved lines changed to straight lines and ended up as numbers that made up the image of Warhol. Moojedi subsequently created stunning images of such cultural icons as Stephen Hawking, Woody Allen, and Nelson Mandela.

"The Fire Next Time" consists of more personal works, motivated by the great San Bernardino Mountains fire of 2003, which came close to destroying Moojedi’s studio. As he explains, these new pieces are not meant as an illustration of the fire and what it left behind, but rather, they focus on archetypal elements that took him back to ancient Persian mythology and ritual. The works are a meditation on the concept of duality in Persian culture, first taught by Zoroaster, using it as a way to come to grips with the contradictions in his own life.

Born in Tehran, Moojedi left to attend art school in Turin, Italy, then went on to Art Center College of Design in Pasadena, where he received his Master of Fine Arts degree and remained to teach for six years. Following that, he worked for seven years as a multi-media designer and art director at NASA’s Jet Propulsion Lab. The 1979 revolution left Moojedi stranded in the United States. He compares the Islamic revolution to a wildfire, flaming out of control, burning equally the guilty and the innocent, the past and future. Like fire, revolution can be considered destructive and evil or as a purifying and cleansing agent. The trauma of the San Bernardino fire and it's aftermath made Moojedi face a series of unpredictable changes in his life including seeking a closure with his past. For the first time, he went back to his homeland and spent four months in Iran.

"Seeing Tehran after 25 years, I experienced strong emotional surges of highs and lows. One moment I was filled with excitement, the next with despair. It felt much like the first time I saw the burnt forest. This place had no resemblance to the home I remembered. I was lost.”
The way of finding himself again was through the process of creation. After Moojedi’s return to California, the twin experiences of the fire and of his homeland came together in his new works:

“As I began reworking the Fire series from the alien landscape, bringing together elements from within and without, mixing pigments and pixels, something familiar started emerging in the artwork, which was generic and not limited to this particular tragedy. It was not a representation of time and space in a two-dimensional format; rather, it was an expression of emotional and psychological interactions with those realities."

The resulting works in his superb new series, "The Fire Next Time" contain some of the most compelling and insightful images being created today in any medium.

Exhibition runs through April 2, by appointment SHARQ, 537 Arbramar Ave, Pacific Palisades, CA 90272. RSVP. 310.454.6826. Email rsvps. Directions: Sunset Blvd one block west of Temescal Canyon; turn left on El Medio, go four blocks; turn right on Miami Way; turn left at first corner, Arbramar 537 is fourth house on the right; SHARQ is located down the driveway at the back of the property.

Al Jadid, a Review of Arab Culture & Arts: A regular update on newly posted content on www.aljadid.com, online-only articles:

Louis Awad's Secular Tradition; Samir Nakash's Love of Arab Culture; Rethinking Edward Said's ‘Orientalism'; Arab Satellite TV Funding – all Examined in Al Jadid no. 48 by Beige Luciano-Adams. A new issue of Al Jadid is out (Vol. 10, no. 48). As usual it covers a wide range of topics and subjects in the field of Arab and Mideast culture, arts, and literature.

World Music Releases Blend Folk Classics and Innovation By Judith Gabriel An Armenian colleague brought a CD to work one day, and played it during some down time. At first, it was elevator music, so low in volume it was barely perceptible. But I loved what I heard, and asked it be turned up

A Year After Sunset: Remembering Amina Rizk by Miranda Bechara. A year ago, the famous Egyptian actress Amina Rizk died at the age of 93 after a rich artistic life. Born in 1910, Rizk started her career at an early age when she moved to Cairo from Tanta with her mother, grandmother, and aunt after the death of her father.

The Perennial Refugees: Steadfastness in a World of Forgetfulness by Doris Bittar

Amin Maalouf Talks about his latest book “Origins” by Carole Corm. Never has Amin Maalouf revealed himself as much as in his latest novel, “Origins,” recently released in France but not yet translated into English.

Remembering Zaki Nasif: A Lebanese Musical Odyssey by Sami Asmar The death of Lebanese composer and singer Zaki Nasif in Beirut last March marked the end of a significant era in Lebanese musical heritage.

Poets Charge Fadwa Tuqan Slighted in Arab-French Poetry Festival by Sara Hahn That wealthy and powerful individuals are treated differently than ordinary people, never mind their literary talents, is a longstanding practice and policy.

The Paradox of Religious Democracy by Faisal Tbeileh. Azmi Bishara, the Israeli-Palestinian political philosopher, wrote recently that states create nations; nations don't create states. Nations are created in the imagination of their builders.

Mapping the Syrian Consciousness
by Bhakti Shringarpure. Muhammad Kamil al-Khatib's prose could belong to a parable, which is perhaps why a small novel makes for fast, engaging reading.

Arabic, English and Context in the Narratives of Arab Women
by Lynne Rogers. In “Reading Arab Women's Autobiographies, Shahrazad Tells Her Story,” Nawar al-Hassan Golley brings history, contemporary literary theory and a culturally informed perspective to twentieth century Middle Eastern autobiography.

For subscriptions and more information, please visit the Al Jadid website, or call 310.470-6984. Send correspondence to Al Jadid Magazine, P.O. Box 241342, Los Angeles, CA 90024-1342, U.S.A. Annual individual (four issues) subscription for individuals is $18; annual institutional is $40.00; Canadian subscribers, add $8 to the annual subscription rates; all other overseas subscribers, add $16.00.


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Photos by Marina Zona

News From Levantine Cultural Center

The Levantine crew
(that's us, with your help!) will be starting a great new season in April, to include monthly salons, concerts, art exhibits and major shows, among them "Alchemy of Dreams" in September at the John Anson Ford Amphitheatre. "Alchemy of Dreams" will be a special feature of the third edition of the World Festival of Sacred Music, and features two great groups, Suzanne Teng's Mystic Journey with guest artist Prince Diabaté, and the phenomenal Naser Musa and Adam del Monte Ensemble doing new Arab-flamenco world beat. Both acts will include dance performances, the latter with the fiery Laila del Monte.

The great news is that we are in line to recieve a major grant! Yes, guys: after working hard for more than three years on a strictly volunteer basis—bringing you more than 250 programs—Levantine Cultural Center may soon have a chance to really shine, with funding from the County of Los Angeles. We have already twice been awarded these opportunties by the Los Angeles Arts Commission, in both 2004 and 2005, as a featured organization in the special Ford Amphitheatre Summer Series.

However, we now have the opportunity to stretch our wings and grow, with a county arts grant. Now is the time for each of you to show your support by taking out membership in Levantine Cultural Center. Why? The more active members we have, the more we can justify the receipt of city, county, state and federal support for Middle Eastern cultural arts programming. Active membership show funders that we continue to grow; that we are relevant; that we serve a determined audience—you! So whether you can join us at the regular $120 a year level (that's just $10 per month) or at the $60 level (just $5 per month), we ask you to click here, go to our Membership page, and sign up through PayPal today. And please tell your friends! The more the merrier. We know how to stretch a dollar; our overhead is kept extremely low, and we really use our imagination to make the most of what's financially available. So your membership dollars will go further than ever in 2005, particularly with the receipt of the county grant.

Do you have any questions? Please call us at 310.559.5544! And thank you, shukran, toda, merci.



To book Middle Eastern musical ensembles, comics or dancers, contact Jordan Elgrably, 310.559.5544.


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For more information about Levantine Cultural Center, please visit our web site. And by the way: If you're available to volunteer, we're always looking for stalwart supporters: call 310.559.5544.

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