The Kirkus Reviews call Max Blumenthal's new book, "An alarming report on Israel's devastating 2014 attack on Gaza...Explosive, pull-no-punches reporting that is certain to stir controversy." As Rod Such writes in his review for the Electronic Intifada, "Max Blumenthal's The 51-Day War: Ruin and Resistance in Gaza will not be well received by the US corporate media. The reasons are apparent in the very title. It's a 51-day war, not a 50-day war as The New York Times and other corporate media repeatedly say. For the Times, 50 days means the war started on 8 July, when Hamas' military wing fired rockets into southern Israel, not on 7 July, when Israel, as even some Israeli media acknowledge, broke its ceasefire agreement with Hamas by killing seven of its members in an air strike. The difference of a day is the difference between portraying Hamas as the aggressor and Israel as acting in self-defense or acknowledging that Israel was the aggressor and Hamas acted in self-defense."
Max Blumenthal will talk about his new book and Israel's continuing rightward drift, and will discuss racism, policing and militarism in America and Israel with Hamid Khan. There will be a book signing at the conclusion of the discussion.
Blumenthal last appeared at the center when he presented his book Goliath, Life and Loathing in Greater Israel (2013). Hamid Khan is the campaign coordinator of the Stop LAPD Spying Coalition. This program is made possible with support from Anonymous, Mary Ellen Bennett, Anthony Saidy, Hassan Sughayer, LA Jews for Peace and Jewish Voice for Peace-LA.
The Markaz, Arts Center for the Greater Middle East (formerly the Levantine Cultural Center) is pleased to cosponsor The Untold Story of Iran at the Last Bookstore. If you'd like an alternative to the Fox News version of what Iran is all about, this is where you want to be on the 10th of July. The evening features Dr. Nina Ansary (Jewels of Allah: The Untold Story of Women in Iran), Cyrus M. Copeland (Off the Radar: A Father's Secret, a Mother's Heroism, and a Son's Quest) and international vocalist Sussan Deyhim (as special musical guest) in a conversation about "The Untold Story of Iran." Guests will engage the audience in a humanist perspective on Iran—through personal experience, scholarly expertise, and musical expression—and a discussion aimed at shattering long encrusted stereotypes, taking us from the ancient Iran that issued the first charter of human rights to the patriarchal society of the present.
"Like two chemicals that flare upon touching, [Baronian's] music is a remarkable hybrid of two cultures.""From the first rich resonant tones of Naser Musa's oud it is rare to find such an exotic variety of rhythms and songs together...capturing the heart and soul of its cultural source. The [songs] all feature Naser Musa's smooth talent on vocals and each is uniquely different, with many subtleties and changes that make listening a satisfying pleasure." —Mesmera
—Boston Herald American
A beautiful concert for dancers and music lovers...Leave your worldly cares at the door, join us for a magical journey that weaves traditional Middle Eastern melodies and song with contemporary fusion compositions from Souren Baronian. Then travel along the Silk Road to the Gulf and listen to the desert music of the Bedouins known as khaliji, passionate songs of the Gulf Arabs, performed by oud master and vocalist Naser Musa and his ensemble. Naser Musa, Souren Baronian and friends perform to help raise funds for the new arts center for the greater Middle East, The Markaz (the center). One night only! Tickets just $25 General Admission/$35 Preferred, or $75 VIP front row seating plus a gift bag.
This is a benefit concert to support the new Arts Center for the Greater Middle East, The Markaz. Come enjoy the best of the best in Los Angeles and contribute to a worthy cause, The Markaz, fighting bias and intolerance, building a stronger Arab, Iranian, Middle Eastern community center.
NASER MUSA is recognized by critics of Middle Eastern music as a talented singer, a gifted songwriter, an oud virtuoso, an award winning composer, and a versatile studio musician. He has composed, arranged, and recorded numerous projects in the Middle East and in the United States. His recordings include the Arabia sound track; Khaliji, a collection of folk songs from the Arabian Gulf region; and Christmas and Beyond, a collection of Western Christmas carols and Arabic church hymns. Naser Musa appears on dozens of albums, including contributions on projects for Hollywood with John Debney and John Cameron among others. He has recorded with pop stars Shakira, Beyonce and Michael Sembello, and has shared the stage with Lebanese vocalists, Sabah and Ragheb Alame, and Egyptian vocalists, Hani Shaker and Hakim. Naser's oud was heard on the soundtrack of the film The Passion of the Christ by director Mel Gibson.
SOUREN BARONIAN grew up in Spanish Harlem riding two powerful currents of his creativity: his ethnic Armenian heritage, and jazz. His own music is an authentic organic hybrid of those two idioms. The sound of his band is truly unique, applying a jazz vocabulary and the bebop sensibility of Charlie Parker and Lester Young to Middle Eastern rhythms on traditional instruments such as the oud, qanun, G-clarinet and percussions.
Terrorism in the Middle East—who started it? Notes critic Adam Kirsch, "Today, the phrase 'Palestinian terrorism' immediately conjures up Arab violence against Jews-suicide bombings in buses or restaurants, Hamas rockets launched from the Gaza Strip. Seventy years ago, however, a reader who encountered those words in a headline would have thought of terrorism not against Jews but by them."
The Kirkus Reviews calls Bruce Hoffman's Anonymous Soldiers, The Struggle for Israel 1917-1947, "An authoritative, sweeping, important history that shows how terrorism 'is neither irrational nor desperate but instead entirely rational and often carefully calculated and choreographed.'
Tablet headlined the book, "Israel, the Original Terrorist State."
BRUCE HOFFMAN is the director of the Center for Security Studies and director of the Security Studies Program at Georgetown University's Edmund A. Walsh School of Foreign Service and a Senior Fellow at the U.S. Military Academy's Combating Terrorism Center. His previous books include Inside Terrorism (1998), and The Failure of British Military Strategy within Palestine, 1939-1947 (1983).
The Markaz, Arts Center for the Greater Middle East presents a special house concert, Meditations on the Oud, performed by oud musician and composer Dimitris Mahlis, who has created a unique evening of live performance and musical history that connects the rich past of the Middle East/Levant with the broader Middle East region of today.
On August 6th he will present the works of Greek, Armenian and Jewish composers of Ottoman classical music. In the rich mosaic that is this tradition, minorities of the empire played a substantial role both in the composition of Ottoman classical music as well as in the making of the instruments on which it was played. Composers such as Kemenceci Nikolaki, Kemani Tatyos, and Tanburi Isak are well known in the musical circles of Turkey and the Middle East, yet largely unknown in their "own" lands. It is in the spirit of coexistence and collaboration that this music will be presented along with the poetry of one of the most famous Greek poets of the Greek diaspora, Constantine Cavafy of Alexandria, Egypt.
Oudist, guitarist and composer Dimitris "Jimmy" Mahlis has become known in musical circles as an eclectic interpreter of many musical traditions. Having a thorough knowledge of both eastern and western musical theory, he has developed a playing style on several instruments which is both earthy yet intricate. As a composer, his pieces have set a standard in cross cultural pollination. He will perform a "Levantine" repertoire sure to be a feast for the ears. Listen to the artist.