Join a progressive community interested in exploring viable solutions to the indefatigable Israeli/Palestinian conflict when Ali Abunimah, cofounder of the online magazine Keywords:
Two American filmmakers/artists talk about the challenges and rewards of making films about women living their daily lives in Cairo and Damascus. Each of the films, made in very different styles, chronicle a period right before Egypt and Syria were gripped by revolutionary turmoil. Short clips from each film will be shown in advance of the discussion. The participants include artist Judith Barry on Cairo Stories (Egypt) (info-duration) and director Julia Meltzer on The Light in Her Eyes (Syria, Info-duration, co-directed with Laura Nix), with moderator Sarah Gualtieri, author of Between Arab and White: Race and Ethnicity in the Early Syrian American Diaspora and Director of the Middle East Studies Program at USC. Seating is limited, tickets are $15, $10 students/members. Watch The Light in Her Eyes trailer here.
A beautiful night of inspired music awaits you when the Levantine Cultural Center presents the fourth edition of Café Arabesque with Al-Fareed of Radio Al-Fareed and his band Bedouin-X.
The Inside/Outside Gallery at the Levantine Cultural Center presents دورود Dorood: New Art from Iran, with an opening reception on March 28, 2014. Dorood will be on view daily through April 27, 2014. This exhibition includes dozens of new and recent works from younger/underground artists working in Tehran and other cities in Iran, curated by Azeri-Iranian American artist Marjan Vayghan, who travels back and forth between her two countries and very much experiences life "being between worlds." Many of the artists in Dorood are showing work in the United States for the first time. The term "Dorood" is a formal ancient Persian term for "Hello" or "greetings" and was inspired by one of the artists, Elaheh Mahdavi, showcased in the exhibition.
Notes curator Marjan Vayghan, Dorood is not an exhibition about "saving Iran" or "giving Iran's youth a voice"; Iran and the youth of Iran are not apart of some entity that needs "saving." The artists in this exhibition, she points out, are not subalterns in need of exposure. Rather, the works showcased are extant of raw, pure talent and contain strength that can only be forged within the gears of adversity. Life in Iran's Islamic Republic presents many challenges to individual freedom of expression, yet Dorood recognizes the fact that these artists are in some sense already empowered and the exhibit therefore is a site for cultural exchange. Dorood is bringing the voices of young Iranians to the West so that we can benefit from the epic knowledge, perspective and audacious talent of Iran's youth. Gallery exhibitors are welcome to address comments and thank you letters directly to our artists.