Late in July, Beirut's venerable dance company, Caracalla, presented their latest grand epic, "Zayed and the Dream," at Royce Hall. Under the watchful eye of Mohammed Khalaf Al Mazrouei, who sat quietly in the theatre dressed in jeans and a baseball cap, some 100 cast members entertained an audience made up almost equally of Arab Americans and non-Middle Easterners. The first half of the 2-hour plus performance told the hagiographic story of United Arabs Emirates founder Shaikh Zayed bin Sultan Al Nahyan.

Zayed and the Dream follows the journey of seven horsemen as they travel through the sands of time in search of the destined one who will engrave his vision on the deserts of Arabia.

a creative writing workshop

Levantine Cultural Center & The Writing Studio present Writing for Peace: War, Peace & the Path to Freedom. This workshop in creative writing with Elana Golden is for new and experienced writers—limited to 10 participants.

Turning wounds into literature is an act of self-preservation, self-discovery—a journey toward personal and global healing and peace. Elana Golden is a Los Angeles writer and teacher who works and corresponds with Palestinians in Gaza, the West Bank and Israel. She has taught creative writing at Levantine Cultural Center for  the past two years. She has worked with new and established writers from many countries, including Iran, Iraq, Israel, Pakistan, Egypt and the United States.

Whether among nations, classes or families, the workshop provides a peaceful, respectful and inspiring space in which to write stories born of war, conflict or occupation. The skills of creative writing will be taught and explored, as well as effective methods to put aside the critical mind.

By Tamim Ansary

Review by Tara Marie Good

A History of the World Through Islamic Eyes: your purchase benefits in part Levantine Cultural CenterIn 1940 Walter Benjamin wrote, "To articulate what is past does not mean to recognize ‘how it really was.' It means to take control of a memory, as it flashes in a moment of danger." For the German-Jewish Marxist philosopher that moment of danger was the Nazi march on Europe. The moment of danger that inspired Afghani born Tamim Ansary to articulate Islamic history in Destiny Disrupted was September 11th.

Destiny Disrupted is a historical narrative of the Islamic world addressing the chasm seen to separate Western and Middle Eastern histories. The main thesis presented by Ansary is that the history of Islam and the West are two parallel histories, which overlap at points, but are fundamentally separate. Claiming to represent a general Muslim perception, Ansary charts Middle Eastern history from the ancient world to the western colonial and economic expansion in the modern era.

West Coast Tour for Alia Malek's "A Country Called Amreeka"The documenting of Arab American history is still in its infancy stage, despite the fact that Arabs have been immigrating to the United States for centuries. Just this week, on October 17, the Arab American Historical Society held what was its fourth annual conference on the subject at USC.

Following Gregory Orfalea’s 2006 The Arab Americans (Olive Branch Press), New York-based civil rights attorney Alia Malek has written a new volume that merits wide attention. A Country Called Amreeka: Arab Roots, American Stories, presents a range of individuals and families across the country, from the uplifting story of Alabama football hero Ed Salem to the unfortunate saga of Palestinian American Alex Odeh, who was assassinated in Orange County by a bomb blast in his office in 1985. This sad chapter in Arab American history worsened when eight Arab Americans were haunted by the FBI and threatened with deportation (known as the “L.A. 8,” all charges were dropped years later, in the post-9/11 era).

West Coast Tour for Alia Malek's "A Country Called Amreeka"The documenting of Arab American history is still in its infancy stage, despite the fact that Arabs have been immigrating to the United States for centuries. Just last month, the Arab American Historical Society held what was its fourth annual conference on the subject at USC.

Following Gregory Orfalea’s 2006 The Arab Americans (Olive Branch Press), New York-based civil rights attorney Alia Malek has written a new volume that merits wide attention. A Country Called Amreeka: Arab Roots, American Stories, presents a range of individuals and families across the country, from the uplifting story of Alabama football hero Ed Salem to the unfortunate saga of Palestinian American Alex Odeh, who was assassinated in Orange County by a bomb blast in his office in 1985. This sad chapter in Arab American history worsened when eight Arab Americans were haunted by the FBI and threatened with deportation (known as the “L.A. 8,” all charges were dropped years later, in the post-9/11 era).

The documenting of Arab American history is still in its infancy stage, despite the fact that Arabs have been immigrating to the United States for centuries. Just this week, on October 17, the Arab American Historical Society held what was its fourth annual conference on the subject at USC.

A Country Called AmreekaWhat does American history look and feel like in the eyes and skin of Arab Americans? In A Country Called Amreeka:  Arab Roots, American Stories (Free Press; October 6, 2009; $25.00), Syrian-American civil right lawyer Alia Malek weaves the stories of the Arab-American community (3.5 million strong) into the story of America, using lively and moving narratives of real people who have lived history all around the country.  Just as the recent award-winning National Geographic Entertainment film AMREEKA, by Cherien Dabis, blazed new ground in its depiction of a mother and son from the West Bank trying to assimilate in America, Alia Malek’s In A Country Called Amreeka brings to captivating life true stories of a wide variety of Arab Americans navigating the divide between their original heritage and their new world in the United States.

A new composition at the Artspace GalleryThree new art galleries opened at the Dubai International Financial Centre (DIFC) in less than a week. Artspace opened on 3 November 2008, the Cuadro Museum and Fine Art Gallery on 5 November 2008 and the Opera Gallery on 7 November 2008. Artspace, which established itself first in Dubai in May 2003, under the patronage of HH Princess Haya Bint Al Hussein, wife of HH Sheikh Mohammed Bin Rashid Al Maktoum, Vice President and Prime Minister of the UAE and Ruler of Dubai, focuses on Middle Eastern contemporary art. One of a new breed of art galleries that have surfaced in Dubai over the past five years, Artspace has evolved into one of the most prominent institutions promoting art from the region. Cuadro occupies 13,000-square feet space in the heart of the Gate Village in the DIFC. The gallery spans two floors and seven distinct gallery units. The gallery is the brainchild of Bahraini art connoisseur, Bashar Al Shroogi. Cuadro will select works based on quality, without regard to their regional delineations.