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After decades of war in the post-colonial Middle East, statesmen and women of the region—particularly the battle-fatigued Israelis-have finally understood something about war and peace that most of us have known all along: there is no military solution to our problems. Lines will be drawn and peace will be achieved through negotiated agreements—or there will be no lasting peace for anyone...

Michael T. Klare's latest book on the geopolitics of energy: your purchase benefits LCC programmingRising Powers, Shrinking Planet: The New Geopolitics of Energy, by Michael T. Klare

Reviewed By Dick Platkin

Richard Dreyfuss, Dick Cheney: The actor incarnates the veep in Oliver Stone's "W"In his new movie "W," a biopic about outgoing President George W. Bush, director Oliver Stone has Dick Cheney (played by Richard Dreyfuss) narrate a series of large-screen slides that demonstrate how the countries adjacent to the Persian Gulf and Caspian Sea contain most of the world’s proven oil and gas reserves. As the Cheney-Dreyfuss presentation unfolds, we see the locations where the U.S. government has constructed dozens upon dozens of Middle East military installations since the first Gulf War. We are also told that the country which controls these Middle Eastern oil and gas reserves will control the Eurasian continent. This, in turn, will become key for the U.S. to maintain its dominant position in the global economy.

Christopher Caldwell on "What is the West's Problem with Islam?"

Reflections on the Revolution in Europe: Immigration, Islam and the West: your purchase benefits LCC programming Europe has received a wave of immigration from the global south in recent decades, similar in scope to the US-but very different in its results. Many immigrant and second-generation communities have astronomical unemployment rates and a thin connection to European identity. Some have produced terrorists. The problems are particularly severe among newcomers from the Muslim world.

If Europe has an Islam problem, whose fault is it? Is Islamic belief and culture incompatible with Western institutions? Or is there such a thing as "Islamophobia," poisoning immigrants' efforts to integrate on European terms?

Christopher Caldwell, who writes for the Financial Times, The New York Times Magazine and The Weekly Standard, visits Zócalo to talk about themes from his upcoming book, Reflections on the Revolution in Europe: Immigration, Islam and the West.

The eclectic Al-Fareed aka Alfred Madain is a deejay, musician and ethnomusicologist in Los Angeles. A walking encyclopedia of traditional, folkloric and contemporary music of the Arab/Islamic world and Africa, he intimately “gets” and analyzes music ranging from ancient traditions to modern world techno, hip hop, western new wave, heavy metal and punk. Al-Fareed’s attuned feel for rock gives him the ability to reflect on the west from an eastern perspective and on the east from a western perspective. As a music historian he can explain the history and influence of ziryab (a musician of the Baghdadi and Andalusian courts) as well as the history and influence of Woody Guthrie, David Bowie, Bob Dylan, Black Flag, Blind Lemon Jefferson, the Velvet Underground and more.

By Christie Bahna

Obama vs. Osama?: This objectionable magazine cover is just one of the many attempts to conflate Obama with Arab/Muslim fundamentalism.With only two weeks remaining until the presidential election, both Barack Obama and John McCain have expressed a desire to redirect the campaign towards more relevant, "kitchen table" issues. Yet attempts to quell the angry voices of character-questioning rally-goers have not been entirely successful.

In the final presidential debate, John McCain reprimanded Senator Obama for not repudiating negative comments about the Arizona senator, while triumphantly noting his own attempts to distance Obama from nasty and offensive labels (like, say, "Muslim" and "Arab"). Yet as some have argued—including LA Times columnist and civil rights attorney Constance Rice—to simply repudiate untruths is not enough:

"My Lebanese Sandwich," by Maher Kassar and Ziad Halwani courtesy of Transit Beirut: New Writing + Images, edited by Malu Halasa and Roseanne Khalaf, (Saqi Books, 2004).

This is one of the most memorable pieces of culinary reporting we’ve come across by non-food writers, guaranteed to make you hungry. Beirut natives abroad will long for a piece of home, while others will get a glimpse of the city’s life not often seen by outsiders. It’s a prime example of the creative nonfiction, short stories and photography characteristic of this unusual book from Saqi in London.

Language for a New Century: your purchase benefits LCC programmingKudos to Language for a New Century: Contemporary Poetry from the Middle East, Asia, and Beyond. This handsome new anthology (Norton 2008) celebrates the artistic and cultural forces flourishing today in the East—gathering an unprecedented selection of works by East Asian, Middle Eastern, South Asian and Central Asian poets as well as poets living in the diaspora. The volume is organized around nine themes—including childhood, politics and oppression, identity, war, homeland and love—and includes more than 400 unique voices from 59 countries. Each section of the anthology—organized by theme rather than national affiliation—is preceded by a personal essay from the editors that introduces the poetry and invokes the readers to examine their own identities in light of these powerful poems.

Kinda HibrawiKinda Hibrawi's artwork is a passionate journey of femininity, spirituality and cultural convergence. Of Syrian descent, she grew up between Saudi Arabia, Syria, Lebanon, and the United States. Her formative years in the Middle East gave her the opportunity to study the power of the Arabic language in all of its art forms. Through her studies she began to expand on the ancient tradition of Arabic Calligraphy by giving it a modern twist. As an Arab American, she felt the need for her artwork to reflect the richness of the Middle East coupled with Western diversity.

“We play heavy metal because our lives are heavy metal.” —Reda Zine, one of the founders of the Moroccan heavy-metal scene

“Music is the weapon of the future.” —Fela Kuti

Heavy Metal Islam: Rock, Resistance and the Struggle for the Soul of Islam: your purchase benefits LCC programmingMark LeVine is the author of Why They Don't Hate Us, Unveiling the Axis of Evil. In his new book, Heavy Metal Islam: Rock, Resistance and the Struggle for the Soul of Islam, you'll find an eighteen-year-old Moroccan who loves Black Sabbath. A twenty-two-year-old rapper from the Gaza Strip. A young Lebanese singer who quotes Bob Marley’s “Redemption Song.” They are as representative of the world of Islam today as the conservatives and extremists we see every night on the news. Heavy metal, punk, hip-hop, and reggae are each the music of protest, and in many cases considered immoral in the Muslim world. This music may also turn out to be the soundtrack of a revolution unfolding across that world.