"I didn't expect this kind of reception," musician Saeid Shanbehzadeh told a small but adoring crowd cheering him on at the Troubador, "based on what I had seen from Persian TV." One can see why, given that his music is such a far cry from the hip-hop-infused bubble-gum pop that permeates the Iranian channels here in L.A. Mr. Shanbehzadeh hails from the southern part of Iran—the gulf town of Boushehr, to be exact—and the sound he and his ensemble brought to Los Angeles on Oct 24th, 2010 is the essence of traditional 'Bandari' (Persian Gulf) music: by turns rhythmic and fluid, wistful and passionate, meditative and exhilarating. It's also reflective of the region's long, rich history as a cultural crossroads: infused with strong African, Arab, and even Indian elements.
I am back in Baghdad after seven years away.
Since 2003, a million people have died in Iraq in the wake of post-invasion violence. (1) Sectarian wars have torn the country apart, foreign troops have established huge military bases, and politicians who have sworn to crack down on militias have their own private armies. This once secular nation has been scarred by extremism, with terrible consequences for women, gay people and religious minorities. As government ministries remain feeding troughs for cronyism and sectarian patronage, national reconciliation remains elusive.
Contact: Jordan Elgrably, Nile El Wardani, Elie Karam
Levantine Cultural Center
310.657.5511 or 310.402.8866
[Los Angeles, May 20, 2010] Secretary of State Hillary Clinton's top aide, Special Representative to Muslim Communities Farah Pandith, will speak in a public forum on cultural diplomacy organized by the Levantine Cultural Center on Thursday, May 27, 2010, at 7 pm at the Mark Taper Auditorium in downtown Los Angeles.
The "clash of civilization" dialectic and the "war on terror" discourse require Americans to broaden our international outreach, to improve understanding of the Arab/Muslim world. In fact, the alchemy of change requires that we empathize with narratives that may differ from our own; and sometimes these narratives are strikingly similar. Cultural diplomacy efforts use the arts to address communities in conflict-or groups that appear to have opposing interests whether because of different religious traditions, political beliefs or ethnic identification.
By Tamim Ansary
Review by Tara Marie Good
In 1940 Walter Benjamin wrote, "To articulate what is past does not mean to recognize ‘how it really was.' It means to take control of a memory, as it flashes in a moment of danger." For the German-Jewish Marxist philosopher that moment of danger was the Nazi march on Europe. The moment of danger that inspired Afghani born Tamim Ansary to articulate Islamic history in Destiny Disrupted was September 11th.
Destiny Disrupted is a historical narrative of the Islamic world addressing the chasm seen to separate Western and Middle Eastern histories. The main thesis presented by Ansary is that the history of Islam and the West are two parallel histories, which overlap at points, but are fundamentally separate. Claiming to represent a general Muslim perception, Ansary charts Middle Eastern history from the ancient world to the western colonial and economic expansion in the modern era.
The International Documenary Association presents the Docuweeks festival during August 2009.
Director/Writer: Kristian Fraga
Producer: Kristian Fraga, Marc Perez
Executive Producers: Benjamin Charbit, John L. Sikes
U.S.A | 93 min.
Armed with the world's most lethal ordnance and his home video camera, First Lieutenant Michael T. Scotti takes us on an epic first-person journey with the Marine Corps as they fight their way 300 miles from Kuwait to Baghdad. No Reporters...No Politics...No Censors...This is what he saw.