1913: Seeds of Conflict, How Things First Went Wrong in Palestine
Reviewed by Rachel Tie Morrisson
In July of 2014, hostilities erupted between Israel and Gaza, leading to three months of violence, bombing, and the deaths of thousands. It began with the kidnapping and murder of three Israeli teenagers, prompting Israel to go after several Hamas fighters, who were assassinated in Gaza. Hamas responded by breaking the official ceasefire with a barrage of missiles fired into southern Israel, which in turn responded with a seven-week military offensive. Though Egypt brokered a ceasefire in August, the violence continued throughout October.*
While the kidnapping and murder of a country's youth is certainly a serious offense, that such an event could precipitate an entire season of war is striking. Yet, as writer and director Ben Loeterman argues in 1913: Seeds of Conflict (screened at the Levantine Cultural Center/The Markaz on June 17, 2015), it is not always ancient feuds or inherent cultural clashes that bring about violence, but a single event that can unleash seething tensions in extraordinary and destructive ways.
The film aims to explain the current Israel/Palestine conflict by locating its roots. Countering the prevailing notion that there is an "ancient grudge" between Israelis and Palestinians, the 57-minute film posits that waves of Eastern-European Jewish immigrants to the Promised Land in the late-eighteenth and early-nineteenth century created a pressure cooker of mistrust and violence that would ultimately lead to the reality we know today.
Bovine Security Threat to Israel Documented in The Wanted 18
The Kirkus Reviews call Max Blumenthal's new book, "An alarming report on Israel's devastating 2014 attack on Gaza...Explosive, pull-no-punches reporting that is certain to stir controversy." As Rod Such writes in his review for the Electronic Intifada, "Max Blumenthal's The 51-Day War: Ruin and Resistance in Gaza will not be well received by the US corporate media. The reasons are apparent in the very title. It's a 51-day war, not a 50-day war as The New York Times and other corporate media repeatedly say. For the Times, 50 days means the war started on 8 July, when Hamas' military wing fired rockets into southern Israel, not on 7 July, when Israel, as even some Israeli media acknowledge, broke its ceasefire agreement with Hamas by killing seven of its members in an air strike. The difference of a day is the difference between portraying Hamas as the aggressor and Israel as acting in self-defense or acknowledging that Israel was the aggressor and Hamas acted in self-defense."
Max Blumenthal will talk about his new book and Israel's continuing rightward drift, and will discuss racism, policing and militarism in America and Israel with Hamid Khan. There will be a book signing at the conclusion of the discussion.
Blumenthal last appeared at the center when he presented his book Goliath, Life and Loathing in Greater Israel (2013). Hamid Khan is the campaign coordinator of the Stop LAPD Spying Coalition. This program is made possible with support from Anonymous, Mary Ellen Bennett, Anthony Saidy, Hassan Sughayer, LA Jews for Peace and Jewish Voice for Peace-LA.
Join us June 17th for a special screening of 1913: Seeds of Conflict at the Levantine Cultural Center/The Markaz. As the blog Palestine Square asks, when did this conflict really begin? "What year marked a turning point in the century-long conflict between Palestinians and Israelis? The 1917 passage of the Balfour Declaration by the UK House of Commons proclaiming the British government's support for a 'Jewish homeland' in Palestine? The Arab-Israeli War of 1948? Israel's conquest of the West Bank, East Jerusalem, Gaza, the Sinai, and the Golan Heights in 1967? Or the failure of the Oslo Accords and the subsequent outbreak of the Second Intifada in 2000? Every date foreshadows a further deterioration of the relationship between Arabs and Jews.
"A new documentary sets the date at 1913. Seeds of Conflict, directed by filmmaker Ben Loeterman, examines the peaceful coexistence of Jews, Christians and Muslims as Ottoman subjects and traces the worsening communal divisions to the arrival of European Zionists in the late 19th-early 20th centuries."
This program is cosponsored in part with the support of Ibrahim Alhusseini and Jewish Voice for Peace-LA.
"Like two chemicals that flare upon touching, [Baronian's] music is a remarkable hybrid of two cultures.""From the first rich resonant tones of Naser Musa's oud it is rare to find such an exotic variety of rhythms and songs together...capturing the heart and soul of its cultural source. The [songs] all feature Naser Musa's smooth talent on vocals and each is uniquely different, with many subtleties and changes that make listening a satisfying pleasure." —Mesmera
—Boston Herald American
A beautiful concert for dancers and music lovers...Leave your worldly cares at the door, join us for a magical journey that weaves traditional Middle Eastern melodies and song with contemporary fusion compositions from Souren Baronian. Then travel along the Silk Road to the Gulf and listen to the desert music of the Bedouins known as khaliji, passionate songs of the Gulf Arabs, performed by oud master and vocalist Naser Musa and his ensemble. Naser Musa, Souren Baronian and friends perform to help raise funds for the new arts center for the greater Middle East, The Markaz (the center). One night only! Tickets just $25 General Admission/$35 Preferred, or $75 VIP front row seating plus a gift bag.
This is a benefit concert to support the new Arts Center for the Greater Middle East, The Markaz. Come enjoy the best of the best in Los Angeles and contribute to a worthy cause, The Markaz, fighting bias and intolerance, building a stronger Arab, Iranian, Middle Eastern community center.
NASER MUSA is recognized by critics of Middle Eastern music as a talented singer, a gifted songwriter, an oud virtuoso, an award winning composer, and a versatile studio musician. He has composed, arranged, and recorded numerous projects in the Middle East and in the United States. His recordings include the Arabia sound track; Khaliji, a collection of folk songs from the Arabian Gulf region; and Christmas and Beyond, a collection of Western Christmas carols and Arabic church hymns. Naser Musa appears on dozens of albums, including contributions on projects for Hollywood with John Debney and John Cameron among others. He has recorded with pop stars Shakira, Beyonce and Michael Sembello, and has shared the stage with Lebanese vocalists, Sabah and Ragheb Alame, and Egyptian vocalists, Hani Shaker and Hakim. Naser's oud was heard on the soundtrack of the film The Passion of the Christ by director Mel Gibson.
SOUREN BARONIAN grew up in Spanish Harlem riding two powerful currents of his creativity: his ethnic Armenian heritage, and jazz. His own music is an authentic organic hybrid of those two idioms. The sound of his band is truly unique, applying a jazz vocabulary and the bebop sensibility of Charlie Parker and Lester Young to Middle Eastern rhythms on traditional instruments such as the oud, qanun, G-clarinet and percussions.
Memorial Day is a national holiday that serves to remember American dead who served in our armed forces.
Mark Amin & Reza Amin cordially invite you to a Levantine Cultural Center fundraiser and introduction to The Markaz* with special guest speaker Reza Aslan on The Power of the Arts, featuring the Naser Musa Trio. A dinner, talk and live music in an exclusive benefit event, select guest list only.
Reza Aslan, host of CNN's forthcoming new religion series Believer, is the cofounder of BoomGen Studios, producing the upcoming ABC show Kings and Prophets which has a diverse cast (Israeli, Palestinian, Lebanese, Indian) and the feature film 1001, just sold to Lionsgate based on the classic tale One Thousand and One Nights.
The Right Of Return is the core of the Palestinian cause. It positions the Nakba and the suffering of refugees as the primary issue, places Gaza into historical context and highlights the gross injustices perpetuated and sustained by Israeli politics since 1948. It clearly illuminates the racist nature of the Jewish state and its immigration laws. The Right Of Return offers a clear course of action that unites Palestinians in the region and the Diaspora but it evokes fear amongst Israelis, Zionists and Jewish anti-Zionists.
Since the early 2000s there has been a surge in Jewish support for Palestine and the Palestinian people. This support has been welcome but it came with a price; the call for the Right Of Return has been gradually diluted by alternative terminology designed to appeal to the Jewish progressive crowd.
In this talk, I will elaborate on the terminological shift that left the Palestinian people and their cause behind. I will suggest that each of the terms introduced into the discourse in the last two decades functioned primarily to legitimize Israel and appeal to the Jewish Left crowd. The reality is grim; instead of solidarity with the victims, the movement has morphed into an attempt to appease the oppressor. This unfortunate shift may explain why the solidarity movement has achieved so little for the Palestinians. It is possible that it wasn't supposed to achieve much in the first place.
"Bridging the Mideast divide with comedy." —New York Times
"Is Ghazi Albuliwi the Palestinian Woody Allen? —Haaretz
Director/star Ghazi Albuliwi joins us in person, along with cast/crew members to screen his "groundbreaking" (Huffington Post) comedy in person, followed by a Q & A. When a Palestinian in Brooklyn agrees to bargain his U.S. citizenship into a green-card marriage, he never expects to wed an Israeli, in Ghazi Albuliwi's edgy comedy Peace After Marriage. $12 movie event only/$25 with dinner reception. This evening is the culimination of the 2015 Celebrate Palestine week. The film screens at 8:30 pm, dinner is served at 7:30 pm.
Co-helmed with Bandar Albuliwi, the film has origins in Ghazi Albuliwi's standup roots. This "lighthearted Muslim-Jewish romantic comedy without a heavy political agenda" (Variety) won the audience award at Montpellier's Cinemed Fest.
Arafat (Ghazi Albuliwi), 30, is a struggling actor living with his parents and suffering from a major case of sexual frustration. With no pickup technique to speak of, he's stuck with porn and many lonely nights. Dad (Hany Kamal) keeps proposing arranged marriages in New York and Palestine, but the candidates never get his sense of humor, and he ends up fleeing. Mom (Hiam Abbass) is sympathetic, but the father is the king of the house, and surely a nice Muslim girl would be the answer to everyone's prayers.
Desperate for companionship, Arafat agrees to marry Michaela. The situation forces them to re-examine their respective cultural traditions, a satire in which both may transcend political, religious and familiar barriers. Read a Huffington Post interview with the director.
This program is one in the 2015 series, Celebrate Palestine, presented by the Levantine Cultural Center and the following underwriters and sponsors: Anonymous, Reza Amin, Jordan Elgrably, Elana Golden, Tarek Hoballah, Dr. Raymond Jallow, Jewish Voice for Peace-LA, LA Jews for Peace, Anthony Saidy MD, Dr. Diane Shammas, and with support from media sponsor KPFK 90.7 FM.
Each year toward mid-May, communities of people supportive of Palestine or Israel (or both) are confronted by two diametrically opposed holidays: Israel's May 14, 1948 Independence Day and Palestine's Nakba Day May 15th. Our May 2015 series will create positive conditions for discussion and action. Please help us make this series successful with your attendance and support. See video from 2013 Celebrate Palestine series presented by the California Charitable Foundation and the LCC.
Get your all-events festival pass, with dinner and a movie on May 16th, just $100!