Limited seating for this long-running and inspired comedy show-come enjoy a healthy dose of comic relief, laugh about life and the Middle East with one of L.A's hotte
Limited seating for this long-running and inspired comedy show—come enjoy a healthy dose of comic relief, laugh about life and the Middle East with one of L.A's hottest comedy troupes, the Sultans of Satire. Hosted by Feraz Ozel (Afghanistan/Iran), this show features several of the funniest young comedians on the circuit today. Headliner K-Von, with Mona Shaikh, Noël Elgrably, Sherwin Arae and Aron Kader (Comedy Central's Axis ofEvil)! Come early, have dinner in the café, spend a warm evening with us...
KCET-Link and the Levantine Cultural Center invite you to a special preview event to watch two episodes of the hit sitcom ARAB LABOR and participate in a public conversation featuring invited guests Clara Khoury (who costars in the show) and Dr. Yigal Arens, along with comedian/writer Aron Kader, moderated by Jordan Elgrably. A reception follows. You must RSVP to firstname.lastname@example.org or call 323.413.2001 (provide names of members in party, and a phone number).
Arab Labor is a hit Israeli sitcom series created by Sayed Kashua, an Israeli-born Palestinian columnist for Haaretz and a novelist, author of Dancing Arabs, Second Person Singular and Exposure. Arab Labor is translated from the Hebrew "Avoda Aravit", which colloquially implies "shoddy or second-rate work."
"The map is not the territory," a phrase coined by Alfred Korzybski, is the lesser-known counterpart to Magritte's charming "This is not a pipe." Unlike "This is not a pipe"—an image that has been rendered safe by multiple reproductions and parodies, by now of little relevance unless you are an Art History major—the phrase "the map is not the territory" is charged with political and cultural meaning of the most subversive sort. This meaning inspires the upcoming exhibit at the Inside/Outside Gallery, Levantine Cultural Center, curated by Jennifer Heath and Dagmar Painter. Go to exhibition page.
"The map is not the territory," a phrase coined by Alfred Korzybski, is the lesser-known counterpart to Magritte's charming "This is not a pipe." Unlike "This is not a pipe"—an image that has been rendered safe by multiple reproductions and parodies, by now of little relevance unless you are an Art History major—the phrase "the map is not the territory" is charged with political and cultural meaning of the most subversive sort. This meaning inspires the upcoming exhibit at the Inside/Outside Gallery, Levantine Cultural Center, conceived by Jennifer Heath and co-curated by Heath and Dagmar Painter.
One land, divided by walls and nomenclature like "annexed," "territory," "Manifest Destiny," until it is in bloody fragments. One people, divided by one thing, and then another, until they can barely recognize their own kin. Like blown dandelion seeds, people venturing out from their homeland, only to find themselves always looking backwards, and wondering how to retrace their steps. Such are the images and anxieties at the heart of The Map is Not the Territory: Parallel Paths—Palestinians, Native Americans, Irish.
In 66 works by 37 artists, The Map Is Not the Territory looks at relationships and commonalities in Palestinian, Native American, and Irish experiences of invasion, occupation, and colonization—not as novelty or polemic, but as history and current events. Although many peoples worldwide have suffered long and often brutal intrusions, Palestinians, Native Americans and the Irish have intersected for centuries in specific and often unusual ways. What are some of these intersections and how do contemporary artists examine and process them through their own lives and visions? The Map Is Not the Territory opened in 2013 at The Jerusalem Fund Gallery Al-Quds in Washington, D.C.—the first stop for this five-year traveling art exhibition, 2013-2018. See a Washington Post review of the show.
To help sponsor this exhibition, contact 310.657.5511, or contribute here.
A beautiful night of inspired music awaits you when the Levantine Cultural Center presents the fourth edition of Café Arabesque with Al-Fareed of Radio Al-Fareed and his band Bedouin-X.
This Sunday at 6 pm, join a community passionate about peace and human rights, interested in exploring viable solutions to the indefatigable Israeli/Palestinian conflict.
Maya Wind and Eran Efrati from the dissident organization Anarchists Against the Wall will speak at the Levantine Cultural Center on their work challenging the dividing wall Israel built both along the Green Line and on Palestinian land in the Occupied West Bank. The group works in cooperation with Palestinians in a joint popular struggle against the occupation. Since Anarchists Against the Wall launched in 2003, the group has participated in hundreds of demonstrations and direct actions against the wall specifically, and the occupation generally, all over the West Bank. All of AATW's work in Palestine is coordinated through villages' local popular committees and is essentially Palestinian led. AATW activists argue that it is the duty of Israeli citizens to resist immoral policies and actions carried out in their name, and believe it is possible to do more than demonstrate inside Israel or participate in humanitarian relief actions. Read more about Anarchists Against the Wall here, and here. This program is presented by the Levantine Cultural Center, Jewish Voice for Peace-LA and LA Jews for Peace. Café Rumi open earlier for Middle Eastern mezze, dinner, coffees, teas and more.
On Thursday, April 10th, see this exciting, very funny show, laugh with six Middle Eastern American stand-up comedians to humor that is satirical and universal.
Come watch Academy Award nominated 5 Broken Cameras followed by a conversation with co-director Guy Davidi about the film and filmmaking. Davidi will discuss the creation of this film, the directorial choices and complexities of directorial collaboration such as writing and editing and making decisions during shooting.
5 Broken Cameras is a deeply personal, first-hand account of non-violent resistance in Bil'in, a West Bank village threatened by encroaching Israeli settlements. Shot almost entirely by Palestinian farmer Emad Burnat, who bought his first camera in 2005 to record the birth of his youngest son, the footage was later given to Israeli co-director Guy Davidi to edit.
$10 general, $8 members, $6 students. Presented by JVP-LA in its new monthly film night series. RSVPs to 323.413.2001.
Café Rumi open early for dinner or mezze.