I have been known to collect postcards of a particular variety. The typical postcard in my collection is made of paper, measures five and a half inches long by three and a half inches wide, and dates around the first few decades of the twentieth century. All of my postcards depict women of colonial North Africa and the Middle East.

Amazigh Film FestivalThe second annual Amazigh Film Festival, under the stewardship of director Helene Hagan, will present art, music and films of the Amazigh or Berber cultures of North Africa. Last year's event was highly successful and the second edition promises to be even more intriguing. Here's the schedule:

4:00-4:30 pm: Slideshow presentation, "Kabylia, the land, the people, the Arts" (10 min) - Welcome Address by Helene Hagan and presentation by Rachid Bouksim, Director of the Issni N'Ourgh Film Festival of Agadir, Morocco, on the recent development of the Amazigh Cinematography in Morocco.

4:30-6:30 pm: Documentaries "Pottery from the Rif" (27 min, 2003, Morocco, Dounia Productions, Ltd.) and "On Native Lands" (86 min, Canada/Morocco, 2007, Orbi xii).

6:30-7:30 pm: Art Exhibit and Reception with art by Moroccan artists Hassan Moumene (Atlas) and Abdallah Aourik (Souss). Traditional mint tea and tidbits catered by CHAMEAU, Inc. of Beverly Hills.

Fez: Queen of Cities

An evening of live music and dance at UCLA's Royce Hall

Language for a New Century: your purchase benefits LCC programmingKudos to Language for a New Century: Contemporary Poetry from the Middle East, Asia, and Beyond. This handsome new anthology (Norton 2008) celebrates the artistic and cultural forces flourishing today in the East—gathering an unprecedented selection of works by East Asian, Middle Eastern, South Asian and Central Asian poets as well as poets living in the diaspora. The volume is organized around nine themes—including childhood, politics and oppression, identity, war, homeland and love—and includes more than 400 unique voices from 59 countries. Each section of the anthology—organized by theme rather than national affiliation—is preceded by a personal essay from the editors that introduces the poetry and invokes the readers to examine their own identities in light of these powerful poems.

“We play heavy metal because our lives are heavy metal.” —Reda Zine, one of the founders of the Moroccan heavy-metal scene

“Music is the weapon of the future.” —Fela Kuti

Heavy Metal Islam: Rock, Resistance and the Struggle for the Soul of Islam: your purchase benefits LCC programmingMark LeVine is the author of Why They Don't Hate Us, Unveiling the Axis of Evil. In his new book, Heavy Metal Islam: Rock, Resistance and the Struggle for the Soul of Islam, you'll find an eighteen-year-old Moroccan who loves Black Sabbath. A twenty-two-year-old rapper from the Gaza Strip. A young Lebanese singer who quotes Bob Marley’s “Redemption Song.” They are as representative of the world of Islam today as the conservatives and extremists we see every night on the news. Heavy metal, punk, hip-hop, and reggae are each the music of protest, and in many cases considered immoral in the Muslim world. This music may also turn out to be the soundtrack of a revolution unfolding across that world.