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After decades of war in the post-colonial Middle East, statesmen and women of the region—particularly the battle-fatigued Israelis-have finally understood something about war and peace that most of us have known all along: there is no military solution to our problems. Lines will be drawn and peace will be achieved through negotiated agreements—or there will be no lasting peace for anyone...

Christopher Caldwell on "What is the West's Problem with Islam?"

Reflections on the Revolution in Europe: Immigration, Islam and the West: your purchase benefits LCC programming Europe has received a wave of immigration from the global south in recent decades, similar in scope to the US-but very different in its results. Many immigrant and second-generation communities have astronomical unemployment rates and a thin connection to European identity. Some have produced terrorists. The problems are particularly severe among newcomers from the Muslim world.

If Europe has an Islam problem, whose fault is it? Is Islamic belief and culture incompatible with Western institutions? Or is there such a thing as "Islamophobia," poisoning immigrants' efforts to integrate on European terms?

Christopher Caldwell, who writes for the Financial Times, The New York Times Magazine and The Weekly Standard, visits Zócalo to talk about themes from his upcoming book, Reflections on the Revolution in Europe: Immigration, Islam and the West.

Language for a New Century: your purchase benefits LCC programmingKudos to Language for a New Century: Contemporary Poetry from the Middle East, Asia, and Beyond. This handsome new anthology (Norton 2008) celebrates the artistic and cultural forces flourishing today in the East—gathering an unprecedented selection of works by East Asian, Middle Eastern, South Asian and Central Asian poets as well as poets living in the diaspora. The volume is organized around nine themes—including childhood, politics and oppression, identity, war, homeland and love—and includes more than 400 unique voices from 59 countries. Each section of the anthology—organized by theme rather than national affiliation—is preceded by a personal essay from the editors that introduces the poetry and invokes the readers to examine their own identities in light of these powerful poems.